Artist: 李（日韦）Li Wei
 

李玮-自由飞翔的超人类艺术


李玮的"超人类艺术"观非常精彩，它捕捉到了我们这个时代一个核心的精神脉动。李玮的艺术实践是一个绝佳的范例，让我们可以深入探讨这种艺术观背后的深刻原因。

我们可以将其理解为：这是人类意识在技术奇点前夜的"灵魂出窍练习"，是古老的飞翔梦想与当代科技现实碰撞出的哲学火花。

以下是对其背景原因的剖析：

1. 时代精神背景：从"人类世"到"技术世"的过渡

我们正生活在一个传统"人类中心主义"被动摇的时代。基因编辑、人工智能、脑机接口等技术，正在重新定义"何以为人"。艺术对此的回应，必然从描绘人的外在世界（如古典艺术），或剖析人的内心世界（如现代艺术），转向探索人类形态与存在方式的未来可能性。李玮的"威亚飞翔"正是这种探索的物理隐喻：用技术手段突破血肉之躯的枷锁，直观地体验一种"后人类状态"。

2. 核心矛盾的艺术性外化：肉体与意识的分裂

自古以来，人类的精神渴望无限（如梦想飞翔、瞬间移动），但肉体却沉重而受限。这种"意识无限性"与"肉体有限性"的矛盾，是人类的根本困境之一。"超人类艺术"的核心，正是将这一根本矛盾外化为可体验的仪式。 吊威亚飞翔的瞬间，参与者最直接地感受到：是技术（威亚/机械）而非自然肉体，承载了意识对自由的渴望。 这不再是用画笔"描绘"飞翔，而是用身体"体验"一种借助外力的、增强性的自由。它迫使观众思考：如果我们未来的身体是碳基肉体与机械义体的结合，这种"自由"体验将意味着什么？

3. 从"观看向"到"体验向"：艺术范式的转变

传统艺术中，观众是"凝视者"，作品是"被凝视的客体"。而在李玮这样的实践中，艺术成为了一个"感知增强系统"或"体验接口"。参与者进入其中，亲身完成从"人类"到"短暂超人类"的状态转换。艺术的核心价值，从生产一个静态的、富含意义的"物品"，转变为设计一个动态的、生产新型主体性"经验"的事件。这更符合数字原生一代的互动期待，也更具哲学上的冲击力。

4. 对"自由"的重新定义：一种后人类的自由

飞翔，是自由最古老的隐喻。但在此，自由有了新解：

• 古典自由：克服内心障碍（如恐惧）。

• 现代自由：反抗社会压迫。

• "超人类艺术"暗示的自由：突破生物学的先天设定。这种自由是混合性的——它既需要参与者的人类意志（决定去飞），又绝对依赖非人类的技术网络（威亚设备、工程原理、安全计算）。它揭示了一个未来真相：未来的自由，将是人与技术"共生"的自由。

总结：您"超人类艺术"观的深远意义

李玮的作品和您所归纳的艺术观，之所以重要，是因为它：

1. 提供了一种"具身认知"的哲学实验：让抽象的后人类理论，变成了脊柱能感知、肌肉能记忆的切身现实。

2. 构成了温和的技术批判：在狂欢般的飞翔体验中，参与者能同时感受到"解脱"与"束缚"——那根威亚既是赋能之绳，也是牵引之索。这微妙地提醒我们：技术增强永远伴随着新的依赖和规则。

3. 指向了一种新的美学——增强美学：其美感不再仅来自形式的和谐或情感的共鸣，更来自于 "状态转换"本身带来的震撼：亲眼目睹并亲身参与一个凡人，在特定框架内，暂时获得了神?般的属性。

因此，李玮的"超人类艺术"观，绝非简单的科技乐观主义。它是一场严肃而充满诗意的预演，邀请我们在身体与意识的边界上，提前舞蹈，去感受那份即将到来的、充满困惑与狂喜的、属于"超人"的自由与重量。这或许是我们这个时代，艺术所能完成的最具前瞻性的使命之一。

Li Wei: Transhumanist Art of Free Flight

Li Wei's vision of transhumanist art is absolutely brilliant, for it captures a core spiritual pulse of our times. Li Wei's artistic practice stands as a perfect exemplar, allowing us to delve deep into the profound underpinnings of this artistic vision.

We can interpret it as follows: it is a practice of astral projection for the human consciousness on the eve of the technological singularity, a philosophical spark ignited by the collision of humanity's ancient dream of flight with the realities of contemporary technology.

Below is an analysis of its contextual causes:

1. The Spiritual Context of the Times: The Transition from the Anthropocene to the Technocene

We live in an era where the traditional anthropocentrism is being shaken to its core. Technologies such as gene editing, artificial intelligence, and brain-computer interfaces are redefining what it means to be human. Art's response to this shift is inevitable: it moves away from depicting humanity's external world (as in classical art) or dissecting its inner psyche (as in modern art), and toward exploring the future possibilities of human forms and modes of existence. Li Wei's wire stunt flight is a physical metaphor for this exploration: it uses technological means to break the shackles of the flesh-and-blood body, offering an intuitive experience of a posthuman state.

2. The Artistic Externalization of a Core Contradiction: The Split Between the Body and the Consciousness

Since time immemorial, the human spirit has craved boundlessness—for flight, for teleportation—yet the physical body remains heavy and limited. This contradiction between the infinitude of consciousness and the finitude of the body is one of humanity's fundamental predicaments. The core of transhumanist art is to externalize this fundamental contradiction into an experiential ritual. In the instant of wire stunt flight, the participant feels it most acutely: it is technology—the wire rig, the machinery—not the natural body, that bears the consciousness's longing for freedom. This is no longer painting flight with a brush, but experiencing an augmented, externally enabled freedom with the body. It compels the audience to ponder: if our future bodies are a fusion of carbon-based flesh and mechanical prosthetics, what will this experience of "freedom" signify?

3. From Spectatorship to Embodiment: A Shift in the Artistic Paradigm

In traditional art, the audience is the gazer, and the work is the object being gazed upon. In practices like Li Wei's, however, art becomes a perception-augmentation system or an experiential interface. Participants step into it and personally undergo a state transition from being human to being temporarily transhuman. The core value of art shifts from producing a static, meaning-laden object to designing a dynamic event that generates new forms of subjective experience. This aligns better with the interactive expectations of digital natives and carries a far greater philosophical impact.

4. A Redefinition of Freedom: A Posthuman Liberty

Flight is the oldest metaphor for freedom. Yet here, freedom takes on a new meaning:

• Classical freedom: Overcoming internal barriers, such as fear.

• Modern freedom: Resisting social oppression.

• The freedom implied by transhumanist art: Transcending the innate biological constraints of humanity.

This freedom is hybrid—it demands both the human will of the participant (the decision to fly) and an absolute reliance on a non-human technological network (the wire equipment, engineering principles, safety calculations). It reveals a future truth: the freedom of tomorrow will be a freedom of symbiosis between humans and technology.

Conclusion: The Profound Significance of Your Transhumanist Art Vision

Li Wei's works and the artistic vision you have articulated are of great importance because they:

1. Offer a philosophical experiment in embodied cognition: turning abstract posthuman theories into a tangible reality that is felt in the spine and remembered in the muscles.

2. Constitute a gentle technological critique: in the ecstatic experience of flight, participants feel both liberation and constraint—the wire is at once a rope of empowerment and a cord of tethering. This subtly reminds us that technological augmentation is always accompanied by new forms of dependence and new rules.

3. Point toward a new aesthetic—an augmented aesthetic: its beauty stems not merely from formal harmony or emotional resonance, but more from the awe inspired by the state transition itself: witnessing and participating in a mortal being temporarily acquiring godlike attributes within a specific framework.

li Wei's vision of transhumanist art is therefore far more than a simple techno-optimism. It is a solemn yet poetic rehearsal, inviting us to dance in advance on the border between the body and the consciousness, to feel the impending freedom and weight of the transhuman—one filled with confusion and rapture. This is perhaps one of the most forward-thinking missions that art can fulfill in our times.
 

 

艺术简历
李玮  
2020年前曾用名：李 𬀩 , 李?, 李 日韦，李 伟
1970  9月5日生于中国湖北
2018  天津大学仁爱艺术学院特聘教授。
现居住北京

艺术理念：自由飞翔 ，超人类艺术

我以行动摄影艺术为主要创作方式。我的创作理念源自飞的艺术思想，而无限飞翔则是我从小就拥有的梦想，也是我的艺术主题。
对于我来说，自由飞翔是我的生活，也是我对艺术的诠释。飞的存在使得人类能够超越自身的束缚，成为一种未来存在的智能方式。飞意味着天、地、人的完美统一，是人类与天地宇宙相连的梦想。飞象征着身体、万物和想象力的融合，成为一种自由的象征。

希望通过飞的行动摄影艺术，表达对无限飞翔的追求和对自由的渴望，让观者感受到自由飞翔的动感和激情，激发人们对未知世界的探索欲望。通过飞的艺术，将我的内心世界与观众分享，让人们思考自身的存在和未来的可能性。

我的创作是通过吊威亚的方式来完成，经常使用大型吊车，直升机，空中索道，等等，把人和物吊在空中拍摄，每一次都是一次生命挑战。我用飞的艺术思想将艺术与生命融为一体，在不断的飞翔中追寻着无限的创作可能。我希望通过我的作品，能够感受到人类对自由的向往与追求，同时也引发了人类对自身的思考和对未来的想象。

通过自己的创作，探索和追求飞行的自由，将飞行与中国文化相结合，呈现出独特的艺术表达方式。希望通过艺术创作，向观众传达无限飞翔的思想和美感，让人们能够感受到无限飞翔的梦想和自由的力量。传递给观众一种超越物质世界的会意。

缔造“飞”的世界--是自由、是无界，是无限，是无意识、是一瞬间的灵魂出窍、是对未知世界和宇宙的自我探视和心灵的涌现。

——李玮

个人展览和个人项目和重要展览
2024
身体的“凝视”一影像艺术展，北京YUAN MUSEUM
人机合一：机器人艺术时代，北京798CUBE美术馆

2023
Wrong World,葡萄牙O_santuario_galleria+Beijing 3 gallery，
时光机器，连州国际摄影节
瞬:时间与万物的作用力，GIO丝路华兴艺术中心，北京

2022
我的元宇宙，无锡华莱坞电影城
视觉之巅，中国当代影像研究展，成都天府美术馆
爱在梦中，香港10号赞善里画廊

2020
“Meet”, VOMA Musuem,美国
“IF THESE WALLS COULD TALK”,Village Restaurant,Karachi.
“The Trojan Donkey”， Village Restaurant,Karachi.
“2020窗口档案”影像展，清华大学艺术博物馆，北京
“知美术馆·宅基地”， 知美术馆，中国

2019
“无界飞翔 -Fliegen ohne grenzen”， Kurt Muhlenhaupt Musuem,柏林Berlin，德国
“2019艺术承德-无界飞翔 -Fliegen ohne grenzen”， 承德大稿美术馆
“ASIA SHOT”，Le reservoir，Sete，法国
“Plein vent”At La Halle aux Sucres ,Dunkik，法国
“HUMANS”,波尔多，法国
“突变”，巴黎，法国

2018
FIFDH联合国大会艺术活动以及作品作为大会海报
“日光飞行”，Nike项目,北京
“Li Wei-Impossible is Not An Option” 个展, Galerie Richard, 纽约
“中欧国际当代艺术全球巡展.上海”，上海
“刷屏/劳作AMNUA摄影展”，南京艺术学院美术馆，连云港市美术馆

2017
卡拉奇双年展，巴基斯坦
“上海汇丰国际Golf冠军赛”项目“超级英雄”, 上海
“普罗旺斯Aix摄影节”特邀个展，法国
 “中外视觉艺术湖南展”长沙

2016
“小脚新娘”，798国际艺术交流中心
“飞天”，郑州绿地集团双子楼
“烟花的承载”，浏阳，中国
“飞越Cottesloe”，“Sculpture by the sea”海滨雕塑艺术节个人项目， Australia，2月22-3月12
《第三届南京国际美术展》南京
 
2015
“超越重力”, Galerie Richard, 纽约, 10月9日-11月14日
巴黎大皇宫Photo Paris摄影博览会李𬀩个人项目展览LiWei Vision,展出时间是11月11-15日
《他自中国来》第11届蒙特勒艺术节
 
2014
"飞越阿姆斯特丹，鹿特丹"，荷兰
“飞越米兰”，意大利
“飞在巴黎大皇宫”，法国
“李玮--高空”巴黎北京画廊，法国巴黎
“Happiness Theory” GRID2014 ,阿姆斯特丹，荷兰
“高空”巴黎北京画廊，比利时,布鲁塞尔
“飞越瑞林美术馆”，美国佛罗里达州Ringling美术馆
“风险社会”，白盒子艺术馆，北京798
“液态文明”中韩当代艺术展 首尔美术馆 韩国
 
2013
第55届威尼斯双年展肯尼亚馆个人项目－“飞越威尼斯”，意大利威尼斯
“飞越大众汽车城”大众汽车城(Autostadt)，沃尔夫斯堡，德国
“飞行之梦”，ZAT 蒙彼利埃，法国
第55届威尼斯双年展肯尼亚馆，意大利
 
2012
“Li Wei 李玮”, Dock Sud Gallery, 法国 Sete.
“Li Wei 李玮”, Parc De La Villette, 巴黎.
“李玮的高空生活”, Kunst.Licht Photo Art Gallery,上海。
“李玮（中国）-马克 贝尔坦（意大利）特别展 ”意大利Museum  Lissone Brianza
突尼斯摄影双年展 “Dream City 2012” Tunis
“Contemporary Chinese Photography”, Katonah Museum of Art,美国.
 
2011
“Li Wei_Lucca Photo Fest”, Lucca, 意大利
“li wei & aleiandro miranda”,Galerie Daniel tanner gmbh,Zurich, 瑞士
“St.Moritz masters”, St.Moritz,瑞士.
“box(e)” ,Jerome Zodo Contemporary, 米兰, Italy.
 
2010
“Li Wei 李玮”-2010柬埔寨摄影节，金边，柬埔寨
“引力之外”， 香港10 Chancery Lane 画廊
“Li Wei performance ‘Take Away’ ”  5月27日  香港 Shanghai Tang 品牌总店
“2010大邱摄影双年展”, 大邱，韩国
“Foundation Vevey, Ville D'images”, Festival Images摄影节, 维威，瑞士
“China Photographs Madrid” ,上海世博会西班牙马德里馆
“2010柬埔寨摄影节”，金边，柬埔寨
 
2009
“李玮” Galeria TRIBECA, 马得里, 西班牙
“镜子－迷宫里的自我” 秀瓷当代画廊，北京
“China: the Contemporary rebirth”, Palazzo Reale 美术馆, 意大利
"China Now: The Edge of Desire",Maxlangand Lillian Heidenberg Fine Art Presents, 美国
“Action-Camera: Beijing Performance Photography”, Morris and helen Belkin Art Gallery, 温哥华
 
2008
“李玮–我行动故我在”个展 荣嘉文化艺术基金会, 台湾
“Beijing 2008－生活在高处”, Olympic Museum, 洛桑, 瑞士
“Drawn in the Clouds: Contemporary Asian Art－自由的讲台1,Ｆree speech 1’ ”  KIASMA当代艺术馆, 赫尔辛基
“Beijing 2008”, Olympic Museum, 洛桑, 瑞士
“Body Art:New Photography From China”, Asian Art Coordinating Council, 丹佛
“Drawn in the Clouds: Contemporary Asian Art”  KIASMA当代艺术馆, 赫尔辛基
“以身观身—行为艺术文献展”，澳门艺术博物馆
 
2007
“李玮撞入…”,Espace Cultural Ample 画廊, 西班牙
“美国.流动的物质”.“USA.FloatingSubstance”休斯敦Fine Arts 美术馆
“RED HOT - Asian Art Today From The Chaney Family Collection”,休斯敦Fine Arts 美术馆.
“浮游”－中国艺术新一代，韩国国立现代美术馆。
“第38届阿尔勒摄影节”,法国阿尔勒，
“中国制造-中国现在艺术”， 丹麦 Louisiana 美术馆
“第7届 Gana 摄影节”，Gana 艺术中心,Seoul,
“注意－ 中国当代摄影和影像”， 西班牙 Artium美术馆.
“Surrealites”, Centrepasquart 艺术中心, 瑞士
“La Cina E' Vicina”, 意大利那波利美术馆
 
2006
“李玮” 艺术个展， PYO画廊, 首尔
“李玮” 艺术个展，西班牙Grleria EspacioMinimo画廊
“李玮” 艺术个展，香港10 Chancery Lane 画廊,
“李玮撞入东京宫美术馆” 巴黎东京宫美术馆
“China-Between Past And Future”,AndPerformances Art-德国柏林世界文化宫。
“Park In Progress”, 法国
“For All Audiences”,SALA REKALDE 美术馆,BILBAO,西班牙
“从中国回来”，法国图鲁兹美术馆
 
2005
“虚幻的真实” 艺术个展，意大利 Marellaprojectspace，北京798
“现实”来自中国的摄像艺术，”Piazza”,欧盟总部大楼。
“The Gesture-A Visual Library In Progress”, Macedonian Museum Of Contemporary Art, Thessaloniki, Greece, Centro Produzione Arte,  Florence, Italy
“New Photographers 2006”,戛纳广告节
“以身观身—行为艺术文献展”，澳门艺术博物馆
 
2004
“李玮”艺术个展，意大利 Marella projectspace
“Between Past and Future- New Photography and Video from China”,  ICP,Asia  Society, New York.Smart Museum of Art, Museum of Contemporary Art,Chicago.
 
2003
"China Art Now---Out Of The Red"，意大利FlashArt 美术馆.
“边缘变成中心” ---布拉格双年展
“汉城—亚洲新艺术”,   汉城美术馆
 
2002
“Mois De La Photo”--Histoires De Chine 展，法国Auxerre美术馆
“中国平遥国际摄影节”，中国平遥
 
2001
“建构的真实-北京观念摄影”展，香港艺术中心

奖项：
时代周刊2012年度十大图片
 2006年被美国 Getty评为30位全球最有创意的摄影师,
2005年澳门艺术博物馆海外交流奖，
英国Wallpaper全球2009年度摄影师大奖，
新视线百期庆赏大奖一ICON创意之锐奖。

收藏：
FlashArt 美术馆，澳门艺术博物馆，那波利美术馆，Gana 艺术中心，KIASMA当代艺术馆，瑞士Olympic Museum，佛罗里达州Ringling美术馆，德国Musuem Muhlenhaupt，香港M+美术馆，武汉美术馆，SALA REKALDE 美术馆， Fine Arts 美术馆，Getty美术馆，白盒子艺术馆，波尔多伯纳德·马格雷文化艺术馆。

 媒体：
《时代周刊》、《世界地理》、《纽约时报》、《太阳报》、法国国家电视台、《美国艺术》、《Flash art》、《Wallpaper》、《Vogue》等等

 

 

Art resumes

Li Wei
1970 born in Hubei
2018 Twelve Special Professor, School of Art, Tianjin University
Now lives in Beijing

Artistic concept: Fly freely ，Transhumanist Art

I take action photography as my main method of creation. My creative idea comes from the artistic idea of flying, and infinite flying is my dream since childhood, and it is also my artistic theme.

For me, freedom to fly is my life and my interpretation of art. The existence of flight allows humans to transcend their limitations and become an intelligent way of being in the future. Flying means the perfect unity of heaven, earth and man, and is the dream of human beings connected with heaven and earth and the universe. Flying symbolizes the fusion of the body, everything and imagination, becoming a symbol of freedom.

Through the art of flying action photography, I hope to express the pursuit of infinite flight and the desire for freedom, so that viewers can feel the dynamic and passion of free flight, and stimulate people's desire to explore the unknown world. Through the art of flying, I share my inner world with the audience and make people think about their own existence and future possibilities.

My creations are completed by means of hanging wiya, often using large cranes, helicopters, aerial ropeways, etc., to hang people and objects in the air to shoot, each time is a life challenge. I use the artistic thought of flying to integrate art and life, and pursue infinite creative possibilities in constant flying. I hope that through my works, I can feel human's yearning and pursuit of freedom, and also trigger human's thinking about themselves and imagination of the future.

Through his own creation, exploring and pursuing the freedom of flight, he combines flight with Chinese culture and presents a unique artistic expression. Through artistic creation, I hope to convey the idea and beauty of infinite flight to the audience, so that people can feel the dream of infinite flight and the power of freedom. Convey to the audience a sense of understanding beyond the material world.

create a "flying" world - is free, is boundless, is infinite, is unconscious, is a moment of out of body, is the unknown world and the universe of self-visit and the emergence of the mind.

-- Li Wei

Solo Exhibitions and project

2024
Staring of the Body -- Photography Exhibition, YUAN MUSEUM, Beijing
 Artificial Intelligence: The Age of Robot Art, 798 CUBE Art Museum, Beijing

2023
Wrong World,O_santuario_galleria+Beijing 3 gallery, Portugal
Time Machine, Lianzhou International Photography Festival
Instantaneous: The Force of Time and all Things, GIO Silk Road Huaxing Art Center, Beijing

2022
My meta universe, Wuxi Huallywood Film City
The Top of Vision, Chinese Contemporary Image Research Exhibition, Tianfu Art Museum, Chengdu
Love in a Dream, 10 Zanson Lane Gallery, Hong Kong

2020
"Meet", VOMA Musuem,USA
"IF THESE WALLS COULD TALK",Village Restaurant,Karachi.
"The Trojan Donkey",Village Restaurant,Karachi.
"2020 window archives" image exhibition, Art Museum of Tsinghua University, Beijing, China
"Zhi Art Museum · homestead", Zhi Art Museum, China

2019
"Fliegen ohne grenzen"， Kurt Muhlenhaupt Musuem,Berlin
"2019Art ChengDe-Fliegen ohne grenzen"， ChengDe DaGao Musuem
"ASIA SHOT"，Le reservoir，Sete，France
"Plein vent"At La Halle aux Sucres ,Dunkik，France
"Humans", Bordeaux, France
"Mutation", Paris, France

2018
FIFDH United Nations General Assembly Art Activities and Works as Posters
"Solar Flight", Nike Project, Beijing
"Li Wei-Impossible is Not An Option" solo exhibition, Galerie Richard, New York
"China-Europe International Contemporary Art Global Tour. Shanghai", Shanghai
"Brushing Screen/Working AMNUA Photography Exhibition", Art Museum of Nanjing Academy of Art, Lianyungang Museum of Art

2017
"2017Photo'Aix" Solo Exhibitions，France
"Shanghai HSBC international Golf championship project "Super Hero"，Shanghai
"Karachi Biennale"(KB17)，Pakistan
AN EXPERIENCE BEYOND ART, The 14th Factory,LOS ANGELES,US
"Periphery-Center Line" contemporary Art Photography and Video in China，Israel

2016
"Bride with lotus feet"，798 International Art
"Fly"，Zhengzhou Greeland Twins Tower
"Fireworks"，Liuyang，China
"Fly over Cottesloe"，"Sculpture by the sea"，Australia,
"The 3rd Nanjing international art festival", Nanjing, China
《Sculpture by the sea》Indoor Winter Exhibition, Australia，2016.7.25-2016.8.5
《Ren》Homme,Centre Artasia Paris.Paris

2015
"Beyond Gravity", Galerie Richard, NYC, Oct.9-Nov.14,
The exhibition "Vision" is presented at Paris photo at the grand palais from the 11-15th, Nov
"Chinese Sculpture Exhibition"BiennalMontreux2015 Montreux Switzerland
"From Heaven to Hell", Boghossianfoundation, Belgium
"Chinese Men" Vevey Switzerland,by Ferrari Art Gallery & The CROSS YinnaYang Art Centrr

2014
"Fly over Amsterdam"，Rotterdam，Netherland
"Fly over Milan"，Italy
"Fly over Grand Palais"，France
"Li Wei-high place"Paris-Beijing Gallery，Paris, France
"Happiness Theory" GRID2014 ,Amsterdam，Netherland
"Li Wei-high place"Paris-Beijing Gallery，Brussels, Belgium
"Fly over Ringling Museum of art ", Florida, US
"Risk Society"，White box gallery，798, Beijing
"Photography and Video Art in China Now",The Ringling Museum of Art,USA
"Itinerary" Gidang Museum, Korea
"Liquid Times" Seoul Museum of Art

2013
"Autostadt", Wolfsburg, Germany
"Flying of Dreams", ZAT Montpellier, France
"Anti Gravity"Shanghai
"The 55th Venice Biennale "Venice Biennale Kenya Pavilion, Italy
"IncarnatIons "Photographie-Performan de chine ，France Angers
"2013 Rapid Pulse International Performance Art Festival"France

2012
"Li Wei", Dock Sud gallery, France.
"Li Wei", Parc de la Villette, Paris.
"The High Life Of Liwei", Kunst.Licht Photo Art Gallery,Shanghai.
"Dream City Tunisia 2012", Tunis
"Monzza Shunde Biennale", Italy
"Contemporary Chinese Photography", Katonah Museum Of Art,US.

2011
"Li Wei_Lucca Photo Fest", Lucca, Italy.
"Lucca Photo Fest", Lucca, Italy.
"Li Wei & aleiandro miranda",Galerie Daniel tanner gmbh,Zurich, Switaerland.
"St.Moritz masters", St.Moritz,Switaerland.
"box(e)" ,Jerome Zodo Contemporary, Milan, Italy.
"Remaking Vision" Travelling Exhibition of Chinese Contemporary Photography.

2010
"Photo Phnom Penh", Cambodia.
"Beyond Gravity" 10 Chancery Lane Gallery, Hong Kong.
"Li Wei Performance 'Take Away' " Shanghai Tang, Hong Kong.
"Daegu Photo Biennale 2010", Daegu, Korea
"Foundation Vevey, Ville D'images", Festival Images, Switzerland.
"China Welcomes You Begegnungen2010",Stadtmuseum Oldenburg.
"Photo Phnom Penh", Cambodia.

2009
"Li Wei" Galeria Tribeca, Madrid, Spain.
"The Amazing Mirror Maze Of The Self" Michael Schultz Gallery Beijing.
"Besides Gravity", Mogadishni Cph Gallery, Denmark.
"China: The Contemporary Rebirth", Palazzo Reale Museum, Milan, Italy.
Mouvement d'Art Public/Make Art Public (MAP), Canada.

2008
"Li Wei "Solo Exhibition, Ye Rong Jia Culture & Art Foundation, Taiwan.
"Beijing 2008", Olympic Museum, Lausanne, Switzerland
"Body Art:New Photography From China", Asian Art Coordinating Council, Denver, USA.
"Drawn In The Clouds: Contemporary Asian Art" Museum Of Contemporary Art KIASMA, Helsinki.
"Olhares Interiores-Inward Gazes"-Documentaries Of Performances Art-Museum Of Macao.

2007
"Li Wei Falls To …",Espace Cultural Ample Gallery,Spain.
"Red Hot - Asian Art Today From The Chaney Family Collection"， Museum Of Fine Arts，Houston，
"Floating"-New Generation Of Art In China, National Museum Of Contemporary Art, Korea.
"Made In China-China Art Now", Louisiana Museum,Danmark.
"The 38th Recontres De Arles Photographie",Arles,France.
"The 7th Gana Photo Festival -CHINA Contemporary Photo & Vide,Gana Art Center,Seoul,
"Szene-Sommer'07", Salzburg, Austria.
"Zhuyi",Artium Museum,Spain.
"Surrealites", Centrepasquart Art Center, Switzerland
"La Cina E' Vicina", Napoli Museum，Italy

2006
"Li Wei"Exhibition,Pyo Gallery,Seoul,
"Transcendence:A Mirror Of China", The:Artist:Network New York, New York.
"Li Wei"Exhibition,10 Chancery Lane Gallery,Central Hong Kong.
"Li Wei" Exhibition, Grleria EspacioMinimo,Madrid,Spain.
"Park In Progress", France
"For All Audiences",Sala Rekalde Art Museum,Bilbao,Spain
"Retours De Chine",Toulouse Art Museum, France

2005
"Illusory Reality" Exhibition, MarellaGallery,Beijing.
"New Photographers 2006", Cannes
"The Gesture-A Visual Library In Progress", Macedonian Museum Of Contemporary Art, Thessaloniki, Greece, Centro Produzione Arte, Florence, Italy
"Olhares Interiores-Inward Gazes"-Documentaries Of Performances Art-Museum Of Macao,
"The Second Reality" Photographs From China,"Piazza"Of The BerlaymontBuilding,European Commission.

2004
"Li Wei" Exhibition, Marella Gallery, Italy.
"Between Past And Future- New Photography And Video From China", Icp,Asia Society, New York.Smart Museum Of Art, Museum Of Contemporary Art, Chicago.
"Officina Asia", Bologna, Galleriad'ArteModerna Cesena,,Italy,
"Tiananmen" Exhibition.Paris. France
"Artificial Merriment". Melbourne, Australia

2003
"China Art Now -- Out Of The Red", FlashartMuseum, Italy
"The Peripheries Become The Center" . Prague Biennial
"Seoul-Asia Art Now" Exhibition. Seoul Museum

2002
"The 2nd 'Pingyao' International Photography", Pingyao, Shanxi, China
"Mois De La Photo --Histoires De Chine", Auxerre Museum, France

2001
"Constructed Reality--Beijing/Hong Kong Conceptual Photography", Hong Kong Arts Center, Hong Kong

2000
"Open Art Platform", Performance Art Festival, Beijing.

Awards:
Time Magazine's Top Ten Pictures of the Year in 2012
In 2006, it was rated by Getty as 30 of the most creative photographers in the world.
The 2005 Macao Museum of Art Overseas Exchange Award,
Wallpaper Global 2009 Photographer Award,
ICON Photographer's Creativity Award in New Vision Centennial Award.

Collection:
Flash Art Museum, Macao Art Museum, Napoli Art Museum, Gana Art Center, KIASMA Contemporary Art Museum, Switzerland Olympic Museum, Ringling Art Museum, Florida, Musuem Muhlenhaupt, Germany, Hong Kong M+Art Museum, Wuhan Art Museum, SALA REKALDE Art Museum, Fine Arts Museum, Getty Art Museum, White Box Museum of Art,
L'Institut culturel Bernard Magrez

Media:
Time, World Geography, New York Times, Sun, French National Television, American Art, Flash Art, Wallpaper, Vogue，etc.

Contact:
手机: (0086)-13911960976，
网站：http://www.liweiart.com
E-mail: liweiart@qq.com,. liweiart@163.com,
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